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For decades, Renata Adler s writing has upheld and defined the highest standards of investigative journalism. A staff writer at The New Yorker from 1963 to 2001, Adler has reported on civil rights from Selma, Alabama; on the war in Biafra, the Six-Day War, and the Vietnam War; on the Nixon impeachment inquiry and Congress. She has also written about cultural matters, films (as chief film critic for The New York Times), books, politics, and pop music. Like many journalists, she has put herself in harm s way in order to give us the news, not the news we have become accustomed to celebrity journalism, conventional wisdom, received ideas but the actual story, an account unfettered by ideology or consensus. The peril that Adler places herself in comes specifically from speaking up (on the basis of careful research, common sense, original thought) when too many other writers have joined the pack. In this most basic and moral sense, Adler is one of the few independent journalists writing in America today. a This collection of Adler s nonfiction draws on her early essays, reporting, and criticism, which describe the major crises and hopeful turmoil of the 1960s, and more
Book details and technical specifications
Published: April 2015
Number of pages: 528
Width: 6.41 mm
Height: 1.34 mm
Depth: 9.27 mm
Publisher: not specified
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